Under a coppery sky, a Cybernetic Bounty Hunter sits astride a colossal snail, armor plates of brushed steel and brass rivets along a spine of hydraulics. The snail's shell glows with brass inlays, spiraling ridges like clockwork, a tether of neon-blue filaments along the antennae. The hunter grips leather reins braided with copper wires, a gauntlet releasing a silver coil of energy whip. The desert is post-apocalyptic, dunes of ash and ocher, twisted skeletal towers and rusted vehicles half-buried, dust devils scything across cracked crust. The light is steampunk brass glow, cast by unseen furnaces and sunburnt lanterns, turning every edge to amber, every grain to glitter, highlighting rivets and scratches. In a cinematic wide-angle composition, the scene stretches toward a horizon of scarred cliffs; focus on the micro-detail: sweat-beaded goggles, micro-soldered implants in the hunter's temple, snail's slime catching the light, wind-worn textures of leather and metal, and the determined gaze of the bounty hunter scanning the horizon for quarry

The image shows a man riding on the back of a giant snail in the desert. The man is wearing a helmet and is surrounded by plants and rocks. In the background, there are hills and a sky with clouds.