Inside a penthouse suite with floor-to-ceiling glass overlooking a neon city, a tall Pegasus stands at a chrome workbench, fixing a broken spaceship. The hull is a sleek alloy, panels cracked, a diagnostic holo screen dimmed, siren-blue sparks flaring as a micro-welder feeds heat. Tools scatter: torque wrench, precision clamps, heat-shields, a spool of ultrathin cable. The Pegasus’ coat is pale pearl, wings folded along the spine, feathers catching every gleam from the parking-lot buzz—cool indigo and citron reflections that ripple across brushed steel and glass. The room reads vertical: lofty ceiling, suspended stair, velvet sofa and glass coffee table, all set against a skyline that blurs into holographic signs. A narrow laser beam from a skylight carves the work zone, casting long shadows and crisp edges. Textures range from polished marble floor to matte carbon panels to soft leather, giving depth as the comet-tail of sparks drifts toward a chrome vent

The image shows an animated room with a white horse sitting on top of a desk next to a computer. On the desk there is a monitor, keyboard, mouse, and other objects. There are two chairs with pillows, a telephone, and a plant in a pot. In the background, there are glass windows with curtains, through which buildings can be seen. At the top of the image, there is an object on the ceiling.